Heinrich Hansen (13 October 1861 ?C 17 April 1940) was a German Lutheran theologian and the father of the Lutheran High Church movement in Germany. Hansen was born in Klockries near Lindholm (Nordfriesland) as a son of a teacher. In Kiel and Erlangen he studied theology, Hebrew, Syriac, Arabic and in particular the Old Testament under August Klostermann. He worked since 1887 as a pastor in Schleswig-Holstein: in Reinfeld, Lindholm, on the island Pellworm, in Kropp and in Olderup near Husum. Hansen wrote Latin hymns and worked on a Low German Bible translation and published a Low German hymnal. By the study of the old Lutheran theologians, particularly Martin Chemnitz, and the Roman Catholic theologian Johann Adam Möhler, he came to an Evangelical Catholic view about church. In the Reformation jubilee year of 1917??exactly 100 years after Claus Harms?? Hansen published 95 theses (Stimuli et Clavi) in Latin and German, as a sharp criticism against contemporary Protestantism. His theses influenced the foundation of "Hochkirchliche Vereinigung" in October 1918. Hansen is well-known as a co-founder and the first chairman of Hochkirchliche Vereinigung. He died in Breklum   Related Paintings of heinrich hansen :. | Portrait of Kornelia Lotz | vrattinigen av avonarola och ans framsta an xngare | Adoption of the Polish Constitution of May 3 | Red Harmony | The Tapestry-Weavers |
Related Artists:
J.F. Hockert

kristian
kristian foddes den 12 april 1577 och blev kung av danmark som elvaaring 1588.
Sebastiano del Piombo
1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.